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U.S. Latino/a Literature                                      -                               Puerto Rican Literature in the United States

 

My book on Latina Narrative:

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Antonia Domínguez Miguela.  Esa imagen que en mi espejo se detiene: La herencia femenina en la narrativa de Latinas en Estados Unidos.  Huelva: Universidad de Huelva, 2001.   (Recovering a Matrilineal Heritage in US Latina Narrative)

bullet Introducción
bullet Re-creación de la tradición literaria femenina. El discurso narrativo de la escritora latina
bulletTransformación de la tradición oral: las nuevas Sherezades.
bulletLa hibridez del género y del discurso literario
bulletTropicalización y feminización del lenguaje
bullet Construcciones culturales y raciales del género. Revisión de estereotipos y mitos femeninos.
bulletEstereotipos sobre la mujer latina en la sociedad anglosajona
bulletArquetipos y mitos femeninos en la cultura latina: el imperio maniqueísta de las dicotomías
bullet Revisión de roles y relaciones femeninas. Recuperación de la línea materna.
bulletNacidas de mujer
bulletMadres e hijas en la narrativa de latinas
bulletTraición femenina y distorsión de la relación madre-hija
bulletReencuentro femenino: "resolución del conflicto"
bulletLa figura mítica de la abuela: recuperación de una herencia femenina y cultural
bullet Obras citadas

 

 

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My articles and critical pieces

bullet"Growing Up Latina in the United States: Julia Alvarez's How the García Girls Lost Thier Accents, Sandra Cisneros' The House on Mango Street and Judith Ortiz Cofer's The Line of the Sun"
bullet  Latina Narrative as Postmodernist Ethnic Commodity: New Sites of Rupture, Ambivalence and Playfulness,” in Philologia Hispalensis 13.2 (1999)
bullet "Creando un puente entre las dos orillas: La identidad puertorriqueña y los espacios narrativos en la obra literaria de Judith Ortiz Cofer" in Literatura de las Américas (2000)
bullet "Reinventing Themselves: Forging a Latina Identity"
bullet Empleadas’ in the USA: Latina Domestic Workers Negotiating Power among Boundaries of Race, Class and Gender
bullet “Finding ‘Poetic Truth’: The Politics of Memory and Ethnic Transcreation in Contemporary Latina Autobiography” in Travelling Across Cultures/Viaxes Culturais: The Twentieth-Century American Experience, 2000. 
bullet  “Tropicalizing the Other’s Culture and Language in Latino/a Literature,”
bullet "Language Tropicalization in Latino/a Literature"
bullet “Bridges in the Air: Literary Tropes for Border Identity.”
bullet "Soñando con un futuro mejor:  América’s Dream de Esmeralda Santiago.”
bullet “Views of the Barrio in Chicano and Puerto Rican Narrative,” 
bullet  “Nacionalismo y ciudadanía cultural en la narrativa latina en Estados Unidos,”
bullet "From Whispers and Moans to Strong Voices: Recognizing a Matrilineal Heritage in Denise Chávez's Face of an Angel"
bullet "'Empleadas' in the USA: Latina Domestic Workes Negotiating Power among Boundaris of Race, class and Gender" in Culture and Power: Cultural Confrontations (1999)
bullet "El exilio como búsqueda de identidad en Esmeralda Santiago's América's Dream"
bullet Recreación de una patria soñada:Los espacios literarios en la narrativa cubanoamericana in Entre líneas 1 (2001)
bullet Redefining Puerto Ricanness in Esmeralda Santiago's When I Was Puerto Rican in Proceedings of the XXII Conference of AEDEAN (2000)
bullet Literary Tropicalizations of the Barrio in Ernesto Quiñonez's Bodega Dreams and Ed Vega's Mendoza's Dreams (forthcoming)  

 

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Ellen McCracken.  New Latina Narrative: The Feminine Space of Postmodern Ethnicity.  Tucson: University of Arizona Press, 1999.
bullet Introduction: Narrative and Social Change: Containment and Resistance in new Latina Narrative 
bullet 1: Postmodern Ethnicty as Commodity: Containment and Resistance in New Latina Narrative
bullet 2: The Politics of Signification
bullet 3: Beyond Individualism: Collective Narration, History, and teh Autobiographical Simulacrum
bullet 4: Remapping Religious Space: Orthodx and Non-orthodox Religious Cultur
bullet 5: Transgressive Narrtive Tactics and Subcultural Expression
bullet 6: Gender, Ethnicity, and Political Truth

 

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Critical essays on Chicana writers and their works:

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The Theoretical Subjects of This Bridge Called my Back and Anglo-American Feminism by Norma Alarcón

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The Sardonic Power of the Erotic in the Work of Ana Castillo, by Norma Alarcón

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La literatura de la chicana: Un reto sexual y racial del proletariado by Norma Alarcón

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The (Subversive) Mixquiahuala Letters: An Antidote for Self-Hate by Erlinda Gonzales-Berry

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Tradition and Mythology. Signatures of Landscape in Chicana Literature by Tey Diana Rebolledo in The Desert is no Lady

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"And You Know what I have to Say isn't alñways Pleasant": Translating the Unspoken Word in Sandra Cisnero's Woman Hollering Creek by Katherine Rios

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El "alma" de la Villanueva: Poder y resistencia en The Ultraviolet Sky by Kimberly A. Kowalczyk in La mujer y su representación en las literaturas hispánicas

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Interview with Denise Chávez by Anne O. Eysturoy

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Crossing Gender Borders: Sexual Relations and Chicana Artistic Identity by Elisabeth Coonrod Martínez

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Introduction to Cuentos: Stories by Latinas by

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Criticism in the Borderlands: Studies on Chicano Literature, Culture and Ideololgy edited by Hector Calderon and José David Saldívar.

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Foreword: Redefining American Literature

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Introduction

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The Rewriting of American Literary History by Luis leal

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Narrative, Ideology, and the Reconstruction of American Literary History by Ramón Saldívar

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Ana Castillo's The Mixquiahuala Letters: The Novelist as Ethnographer by Alvina E. Quintana

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Feminism on the Border: From Gender Politics to Geopolitics by Sonia Saldívar-Hull

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Home Girls: Chicana Literary Voices by Alvina E. Quintana, 1996.

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Introduction: Testimonio as Biotheory

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Politics, Representation, and Emergence of Chicana Aesthetics

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The House on Mango Street: An Appropriation of Word, Space and Sign

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Orality, Tradition, and Culture: Denise Chávez's Novenas Narrativas and The Last of the Menu Girls.

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New Visions: Culture, Sexuality and Autobiography

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Chicana Creativity and Criticism: New Frontiers in American Literature, edited by María Herrera-Sobek and Helena Mª Viramontes

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Introduction by María Herrera-Sobek

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Chicana (W)Rites on Word and Film edited by María Herrera-Sobek and Helena Mª Viramontes.

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Introduction by María Herrera-Sobek

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Critical essays on Puerto Rican writers:

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Creating Cultural Consciousness in Judith Ortiz Cofer's Silent Dancing by Stacey Sinkiewicz

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A Melus Interview with Judit Ortiz Cofer by Edna Acosta Belén

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An Interview with Judith Ortiz Cofer by Stephanie Gordon

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Speaking in Puerto Rican: An Interview with Judith Ortiz Cofer by Rafael Ocasio and Rita Ganey

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Puerto Rican Literature in Gerogia? An INterview with Judith Ortiz Cofer by Rafael Ocasio

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Possibilities for Salsa Music in the Mainstream: An INterview with Judith Ortiz Cofer by Lorraine M. López

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Critical Essays on Cuban American writers:

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"Geographies of Identity in Cuban American Narrative" in Evolving Origins, Transplanting Cultures: Literary Legacies of New Americans, 2002.

 

bulletBibliographies
bulletMy Bibliography on Latina writers (from my book)
bulletMy Bibliography on Latino/a Literature (contact me to get password)
bullet Bibliography on Latinas By Kirsten Ernst
bullet Bibliography on Chicanas by María Herrera-Sobek in Chicana Creativity and Criticism
bullet Bibliography on Latino Literature by Elizabeth García in Latino Promotions
bullet Selected and Annotated Bibliography on Contemporary Chicano Literary Criticism in Criticism in the Borderlands
bullet Bibliography on Puerto Rican Literature in the United States by Edna Acosta-Belén
bulletLatino  Literature: A Selected and Annotated Bibliography by Marc Zimmerman


 

 

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© Antonia Domínguez Miguela. Site last updated: 14 October 2004